Play and exploration are central in Vigne Welsh’s approach to making paintings. This is underpinned by a questioning of her instinctual gesture and a material led process. She challenges the limits of mark making and materials to build space and investigate the emotional and physical experience of her environment. Influenced by the Supports/ Surfaces movement, wabi sabi and remix culture as well as her own personal history, Vigne Welsh thinks of painting as a safety net for trying out new ideas. What possibilities can be realised within the inherent constraints of the surface?
Vigne Welsh’s way of painting is informed by her interests and experiences, which of late include the works of Joan Snyder and Martha Jungwirth; a recent resolution in the form of a council house to her mother’s housing insecurity; memories of organizing raves with friends; and the safe embrace of familiar arms in the midst of heartbreak.
Her studio practice is deeply personal, yet also serves as a platform to challenge entrenched hierarchical value systems, achieved through the deconstruction and reconfiguration of elements both within the canvas and in site-specific spaces. She employs non-traditional materials and application methods to subvert conventional norms, offering a subtle critique of art history and institutional frameworks. Through rigorous improvisation, the surface is activated, kept open, and alive with fierce intention.
Vigne Welsh is an Irish artist currently based in London. Prior to this, she lived and worked in Lisbon and Los Angeles. She graduated from the Royal College of Art in September 2024 with an MA in Painting and earned her BFA from the National College of Art & Design, Dublin, in 2016.
She is the recipient of the prestigious Clyde Hopkins Award, which provides a studio and mentorship at APT Studios in Deptford, London. Her work has been commissioned by notable brands such as Guinness, Roe & Co. Whiskey, and Hen’s Teeth, and her practice is supported by the Irish Arts Council."
Education
MA, Royal College of Art, 2023-2024
Certificate, Turps Art School, 2022-2023
BFA, National College of Art and Design Dublin, 2016-2020
Private Collections
AWARDS
2024 Clyde Hopkins Award
2023 Agility Award, Arts Council Ireland
COMMISSIONS
Guinness Storehouse
St. Patrick’s Day Festival, Dublin City Council
The Dean Hotel, Galway
Hensteeth Studios, Dublin
Roe & Co. Whiskey, Dublin
Exhibitions
SOLO & DUO EXHIBITIONS
2025
“Clyde Hopkins Award Recipients Exhibition” with Beth Cowey
2024
“no fixed point” Feelium, London
2023
“Vibrant Matter” with Pia Mršek, Galeria Augustine, Lisbon
SELECTED GROUP EXHIBITIONS
2025
“In Flux” Gallery 159, Dublin
“Paper” Huxley-Parlour, London
“Paper Towers” Specific Objects, London
2024
“Play” Atelier Now, Dublin
“MA Painting Postgraduate Exhibition” Royal College of Art, London
2023
“Concrete : Canvas” Outset Gallery, Galway
“Do Not Swallow” Safehouse, London
“Winter Salon” Irma Feia, Almada
“Dessel” Studio 10, Dublin
“Outset Xmas Open” Outset Gallery, Galway
2022
“Art Riddler Exhibition”, Studio 10, Dublin
“Páipéar”, Hang Tough Contemporary, Dublin
2021
“Winter Print Show”, Hang Tough Contemporary, Dublin
“The First Days of an Art World” First Day Gallery, Dublin
2019
“BOON” Studio 39, Dublin
“In Response” Two Birds Gallery, Seville
2018
“Morning Dance” Estudio Airgentum Hoja de Ruta, Seville
2017
“The Mind’s Eye” Dalton Warehouse, Los Angeles
“GIFC” 00-LA, Los Angeles
FEATURES
Palette Talk
Dublin Art Life
The Irish Independent
The Irish Times
Irish Arts Review
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